Reckoning

It may interest "somebody" to know that, someone like me, who prefers DARK STAR(s) and usually chooses Dead CDs that feature long instrumental jams... absolutely LOVES Reckoning. The main thing I wish to mention is: the production quality here is VERY NOTICEABLY SUPERIOR to the original, single CD...that alone makes its purchase desirable. It's great that, while the music is acoustic, Phil Lesh still plays his electric bass...and it sounds great. CD #2 does have some tasty selections. The opening track, a "rehearsal" of To Lay Me Down, a song which can, at times, be a little dull, comes across (to me) as magical and is, now, the only version of that song I listen to. CD #2 also contains two instrumentals which are quite stunning. The last two tracks on CD 2, which are from 1978 and have somewhat less fidelity, are highlights too. Normally, the song Tom Dooley seems a bit trite when groups like the Kingston Trio perform it, but Tom Dooley here sounds surprisingly authentic & American-rootsy. Also, the final track, Deep Elem Blues, is the only version I've heard where Jerry solos on bluesy slide guitar...so it's also very enjoyable. OF COURSE the first CD is AN ULTIMATE CLASSIC...even though I sometimes program it for individual songs, every track on CD 1 is pure enchantment!

Excellent cd; essentially what would be the Grateful Dead’s “unplugged” album. Some really good songs are on this cd. My personal favorites are: monkey and the engineer, dire wolf, cassidy,Iko Iko, ripple, and the heaven help the fool jam. I’m a big Bobby fan and he is amazing on cassidy and monkey and the engineer. The whole band really plays well through out both discs. Overall one of my favorite dead cds. Can listen to it over and over again. Easiest way for me to explain the sound is folk-roots-dead. Makes me want to jam out around a campfire. For the price I paid I am very satisfied with this cd.

This is what Jerry has always been all about _ I played a little with him in 1962-63 when he was nobody. I stayed a nobody and he didn't, which is the way life is. But this is the kind of stuff he did then and the kind of stuff he could always go back to. Obviously he expanded his repertoire in the next 30 years, but if you want to hear where a lot of the Dead classics come from, listen to this. These are the roots upon which he expanded into a genius. The best live Dead albums are this, Europe 72 and Dead Set, which contains a heartrending version of "Brokedown Palace.'' uneven but some brilliant sides. the American beauty-Workingman's Dead Duo and you don't need much more.

This CD summarizes a period of the Dead experience that is not as popular as some of their other work. However, this CD can show you a more beautiful side to the sound of the Grateful Dead than perhaps any other CD. There are so many beautiful moments on this CD that it will linger in your head far after it has finished playing.If you are a fan of the Dead you should no doubt pick up this CD and explore. There are pieces of the these songs that you have never heard in other versions. Queiter, yet more powerful, simply because they are so understated."It Must Have Been The Roses" is the perfect example of the understated Dead song that perhaps shines brighter on this CD than any other version. The "Deep Hollow" has a groovy, shaking, supple beat that fits perfect in an acoustic arrangement. The "Ripple" is so poetic you might think you have never hear this song. Then there is the "Bird Song" that will cause you to never hear this song again - to hear an acoustic jam - a space open unlike many others in this song.Do not pass this CD up. It will be on of your favortie Dead CDs. If you are a fan of acoustic music you should not miss it either.

This is gorgeous music. The first vinyl I bought would not play but skipped and was not getting it done so I returned it. I wanted it so bad that I ordered it again and for some reason the second copy was pristine and sounded beautiful. I love vinyl but it is quirky. Maybe one out of fifty is going to have an issue.

Cd was in great playing condition as advertised but as with all Grateful Dead cd’s - new or used the price was hyper-inflated on Amazon as if there is a bidding war going on. Cd was $30. My local used cd and record shop has used Europe 72 for $12. Yeah?!

While the Dead's live concerts tend toward the trippy, long guitar solos which have become famous (not a bad thing at all), this is a whole different animal.Almost all accoustic, shorter, lively pieces, make this a unique addition to the Dead's legendary live archive. Anyone who loves American Beauty and Workingman's Dead should love this set.

An acoustic period piece. Great performance. Solid recording. Just one more stop on the long, strange trip... A great memento from the 80's Dead.

This is a great live album. I believe, while it was acclaimed, it is underrated as people tend to mention the early greats, such as 'Live/dead' and 'Europe 72'. Now, if fans aren't interested in the Dead's folkie side, don't bother with this. If casual fans or those curious are looking for a definitive Dead album to listen to on the live fron then yeah, prossibly stick with 'Skull & Roses' or the aforementioned however, for thos robust fans and for those who love, (like me), all aspects of the Dead's elclectic style, then buy this. I must confess, I only bought this as I read and understood there's no point in buying 'Dead Set' and not bother with its acoustic brother. I'm glad I went with my gut feeling. Frankly, if someone had told me that i'd have given the acoustic album 5 stars, ahead of the electric companion, I would have laughed. I've never much had the desire nor the will to sit through a whole album of acoustic music, (I like half acoustic, half electric stuff, at worst), yet this album is a gem. Not content with one double LP of live cuts, the Dead being the Dead opted for two D-LP releases just a few months apart. Wise decision. It offers the chance to hear the 'softer' side of the Dead - folkie Dead. It features, in my view, definitive live versions of 'Friend of the Devil', 'Ripple', (listen to that moment when the opening riff hits and the love from the audience when the cheer); definitive versions of 'Bird Song', (on the acoustic front), as well as 'Dark Hollow', 'Cassidy' and 'China Doll', (the latter is very, very haunting. Brent's jazzy harpsichord thing is so eerie). There are some of Jerry's most yearning vocals and Bob, as always, is fab. I even liked the cover of 'Race is On'. I've always loved the original yet this one is great. I think the album is testament to how great this band were. It's nice to have a record that's not electric as well, full of jamming. This is 'headphones' music. While I have to give it 5, (I will admit that on first listen I liked it yet wasn't as passionate as I am now about it. It was on the 3rd listen I ciompletely fell in love with this record), there is still one big gripe...Jerry's whispering!!!!!! The vocals sometimes could have been made clearer in the mix. On 'Oh babe it aint no lie', it is too quiet. It was only when I read the lyrics I knew what he was singing. It doesn't spoil it yet it is noticable. Please invest in this though, if you are curious. Oh, and Jerry's vocals on 'To lay me down' are amoung his best in my opinion.

This is a strangely unrepresentative recording, showing a side of the Dead that had little exposure, amazingly, given the hundreds of concerts they gave over the decades. I first heard "Reckoning" in the early 1980s on vinyl, and loved it long before I understood the band's main appeal - the long passages of electric weirdness. As other reviewers have said, these edited snippets come from a series of 1980 gigs when they briefly went back to the 1970 format, preceding the long electric set with a shorter acoustic one. The best known example of that era is the epic Harpur College concert of May 1970, preserved on Dick's Picks volume 8. But the playing in 1980 bears little resemblance to that of 1970. On "Reckoning",they aim to recreate elements their electric set but without electric guitars, and with Brent Mydland limited to piano and harpsichord. The result is strangely moving. As people have said before me, the versions of "Bird Song" and "China Doll" are hushed and intimate - and I've never heard better takes on either of those songs. "Bird Song", only recently restored to their sets, sounds as fresh as if its subject, Janis Joplin, had only just gone to her grave, while "China Doll" has the sound of a song at last fulfilling its potential. The same could almost be said of "Cassidy", here a rushing, tumbling ride, coming off the crest of Lesh's electric base to burst joyously into its final "flight of the seabirds". Even with all those wonderful "Cassidys" of 1976 and 1977, the "Reckoning" version remains the one I go back to. On top of that magical trio, there is a wonderful, whispering "It Must Have Been the Roses" and a beautiful "Ripple".Alongside these originals are the traditional numbers, including a tense, urgent take on "Jack-a-Roe", one of those folk songs that Garcia makes his own, whatever his limitations as a singer. But it's misleading to say that the Dead were "going back to their roots"; the sound is not primitive or sparse, and is certainly a long way from the sweetly ramshackle sound of 1970, when players seem to stop mid-solo to pass the joint. It's still a campfire sound, but full and warm, with all the intricacy you would expect of Garcia and Lesh in tandem, and not unlike the balance created for MTV Unplugged some years later. The remastering has added to its clarity, without taking anything away from its natural mute, a quietness that makes you lean in to listen.As an afterthought, I have to say that "Reckoning" is, to my ears, greatly preferable to the electric companion discs of "Dead Set", where the band sound - for the first time - simply slick. Tight is one thing - slick is another. As the decade wore on, they alternated between slickness and sloppiness, suffering also through their ageing repertoire. With the exception of the unfailingly mysterious "Althea", the relatively small number of new songs they wrote together after 1978 were inferior to the "Row Jimmys" and "Jack Straws" of the early 70s. Rather than vamping the blues - a job largely left to Bob Weir - or traipsing through Dylan, it's a shame they didn't make up the shortfall by adding in more American folk songs, and folk songs in general. "Reckoning" shows how that might have played out.

Lovely to have a copy of this

plays ok

great thanks, arrived in very good time